Art and faith : a theology of making / Makoto Fujimura ; foreword by N. T. Wright.
2020
BT709.5 .F85 2020
Available at Course Reserves
Formats
Format | |
---|---|
BibTeX | |
MARCXML | |
TextMARC | |
MARC | |
DublinCore | |
EndNote | |
NLM | |
RefWorks | |
RIS |
Items
Details
Title
Art and faith : a theology of making / Makoto Fujimura ; foreword by N. T. Wright.
Cover Title
Art + faith.
Art + faith
Art + faith
ISBN
9780300254143 (hardcover)
0300254148 (hardcover)
9780300255935 (ebook)
0300255934 (ebook)
0300254148 (hardcover)
9780300255935 (ebook)
0300255934 (ebook)
Published
New Haven ; London : Yale University Press, [2020]
Copyright
©2020
Language
English
Description
xiii, 167 pages ; 20 cm
Call Number
BT709.5 .F85 2020
Summary
From a world-renowned painter, an exploration of creativity's quintessential-and often overlooked-role in the spiritual life. Written over thirty years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making." What he does in the studio, he asserts, is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God's being and God's grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman's words, "an accidental theologian," one who comes to spiritual questions always through the prism of art.
Note
From a world-renowned painter, an exploration of creativity's quintessential-and often overlooked-role in the spiritual life. Written over thirty years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making." What he does in the studio, he asserts, is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God's being and God's grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman's words, "an accidental theologian," one who comes to spiritual questions always through the prism of art.
Bibliography, etc. Note
Includes bibliographical references and index.
Includes bibliographical references (pages 151-158) and index.
Includes bibliographical references (pages 151-158) and index.
Formatted Contents Note
The sacred art of creating
The divine nature of creativity
Beauty, mercy, and the new creation
Kintsugi: the "new newness"
Caring and loving, the work of making
Seeing the future with the eyes of the heart
Imagination and faith
The journey to the new through Christ's tears
Christ's tears in the cultural river
Lazarus culture.
The divine nature of creativity
Beauty, mercy, and the new creation
Kintsugi: the "new newness"
Caring and loving, the work of making
Seeing the future with the eyes of the heart
Imagination and faith
The journey to the new through Christ's tears
Christ's tears in the cultural river
Lazarus culture.
Added Author
Location
BT709.5 .F85 2020
Record Appears in
Course Lists
SYS940 Art and Aesthetics by Biermann (Fall 2025)